Random Picts from the Road

Happy Sunday!

This morning I had some down time and wanted to play with some of the new gear that arrived at my doorstep in the week I was gone. This included a small strobe-based softbox and an Orbis Ringflash adapter.

As I’m pretty down with the Strobist mindset (and yes I have big lights too), I wanted to get some additional light modification gear for my Canon 580 EX II speedlight. I built a few items in the last month (Snoot, Grid, Beauty dish) but I decided to “outsource” on the ringflash and softbox for obvious reasons.

The ringflash is something that has always intrigued me, and its pretty hip right now in the light modifier market. Buts you gotta pay to play, and I’d not gotten around to getting one of the new units that uses your speedlight for power. I chose the Orbis because it lets you use ETTL mode when you are in a non-studio environment (via a off-camera hotshoe cord). For run and gun, this makes sense. Here is the unit (from their website):

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So I setup the seamless, grabbed my goofy kids and had a short studio session.

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Then my youngest came running in with the goofy teeth. The goofy teeth were a gift from their cousin in Utah, and we’ve had many hilarious sessions with said redneck accoutrements.

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And finally, a slightly more serious portrait of my son.

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Using the Orbis was prety straightforward. I set it up on a lightstand using my flash mount, pulled down my white seamless and setup the meter for 1/4 power at 2 feet from the ring. I’ve got the off-camera hotshoe on order, so I used my radio control triggers and went manual. I’ll try the ETTL mode when it arrives. The light was exactly as I expected - a nice soft halo that is characteristic of the ringflash setup. And the best part is I don’t have to sink all that extra cash in a dedicated ring light. For most work I do, this should work perfectly. Recommended.


That is it for today. I’ll try to break out the softbox this week and give it a whirl as well.

Have a great Sunday.

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Julia

Here are a few random pictures from the road...

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Had a soccer-filled day and now off to read a book for a few hours before bed.

Hells horses its nice to be home.

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Heading Home

Here is smugster Julia hamming it up for the camera in front of our big window overlooking Lake Tahoe.

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Lightroom Tuesday

After a fun 5 days in Tahoe with the Smugsters, it was time to leave our snow-bound nest at 8000 feet and head for home. We had a ball, stayed up late gabbing, goofing, eating, socializing and working.

Even more important, Tuesday night we shipped a big new update to SmugMug that gives pro smuggers the option of using Bay Photo as their lab. This is a huuuuuuge upgrade for our working professionals. Hooray for us. Hooray for our pros who now have a full service, highly respected photo lab to back them up. Check them out.

BAY

Bay Photo, a professional lab located in Santa Cruz, California, has been catering to top pros since 1976. At SmugMug, Bay Photo is available exclusively for Professional subscribers for prints and canvas.

  • A true pro lab, Bay Photo offers pricing that includes hand color correction of each print. Their experts will fuss over each order, ensuring superb color and consistency from print to print.
  • All prints are carefully flat-packed — damage during shipment is almost unheard of.
  • Bay Photo carries more sizes and papers, including panoramic sizes and Giclée watercolor prints. SmugMug will continue to add products geared specifically towards Professional photographers.
  • For photographers who prefer to do their own color adjustments, we also offer the option to disable color correction.

Speaking of our nest, here is the panorama that greeted us each morning as we rubbed the sleep from our eyes.

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Beautiful. No wonder I have a soft spot in my heart for the Sierras...

Well, I have to head back out onto the road. Have a great Thursday!



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Tahoe Sledding

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Without further adieu, lets get into the Lightroom Haz-penings for the past week.

  • The big news is that Adobe released Lightroom 2.2 - just open up Lightroom and it will tell you all about it. I’m happy to see that they’ve taken the lessons of the 1.x development cycle seriously and focused on bug fixes and camera support for 2.x. This leaves more dev time for Lightroom 3. Not that I regret what we did in the 1.x time frame as it helped solidify the application quickly in the marketplace by adding the needed things quickly. The lightroom team rocks.
  • Funny enough, Adobe also released Lightroom 2.3 RC (release candidate) on Adobe labs. Looks like a quick bug fix for some new cameras updated in 2.2. I’d wait unless you’re seeing the issues listed in the notes. Oh, and for those of you who hold time in contempt, ACR was also updated. Winking
  • For those of you in the dark ages, Amazon had Lightroom 2 on sale for $199 - read this Strobist thread for the details and any updates...
  • Personally I don’t do much with slideshows in Lightroom. I use Showit or Smugmug for my slideshows. But here is a good article from Layers Magazine on customizing the slideshow module if that sort of thing gets you excited.
  • I can haz dramatic skys? Sure
  • Ye olde fashioned phaw-taraphs? You betcha pardner.
  • Keywords in Lightroom can be a real boon to organization. Learn more here.
  • David Ziser has a great tutorial on the lighting tools in Lightroom and their ability to help fix lighting problems post-shot. Of course, we should all get it right in camera, but sometimes...
  • White Balance issues got you, uhm, blue? Or Orange? Learn more about fixing it in Lightroom.
  • Lightroom rocks. And you can do much of what you want there. But sometimes you gotta release the hounds. So learn how to optimize Photoshop for those periodic trips to the dog house.
  • H to hide stuff? Learn. You’re welcome.
  • Martin Evening (he did the box shot for Lightroom 2) has a great article on the Library module. Speaking of this. I’m going to be doing a live Lightroom tutorial tonight for some of the Smugsters here in Tahoe. I’m also going to be doing one at Smug HQ in March. If you’re in the area, ping me and I’ll make a place for you. Sometime in the March 3-7th.
  • Still wondering about Raw. School-thyself.
  • Lightroom-blogs had a nice rundown of some interesting stuff - check out these speedlinks.
That should do it for today. Have a good one peeps.
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Inspiration Monday

As mentioned last week, I’m in Tahoe with the SmugCrew this week, uh, working. Yeah, working. We worked at watching movies, eating food and sledding yesterday.

Here are a few pictures from yesterday...

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EBT Book Arrived!

Its Inspiration Monday.

A few weeks back I stumbled on the works of a New York-based photographer named Lucas Foglia. His “Re-Wilding” series spoke a certain something to this erstwhile back-to-the-lander. I loved this series - his gentle use of color and the informal natural-light portraiture . Here is his introduction to the series:

I grew up with my extended family on a farm in suburban Long Island. Influenced by the back-to-the-land movement of the 1960's, my parents maintained an agricultural lifestyle as malls and supermarkets developed around us. We heated with wood, grew and canned our food and bartered plants for everything from shoes to dentistry.

Through a family friend, I was introduced to a network of people in Virginia, North Carolina, Tennessee, Kentucky and Georgia who have responded to environmental concerns and predictions of societal collapse by moving to the wilderness. Most of my subjects live off-the-grid, build their homes from local materials, obtain their water from nearby streams and hunt, gather or grow their own food. I am intrigued by their desire for self-sufficiency and by the complexity of their relationship with the natural world.

Rewilding: the process of creating a lifestyle that is independent of the domestication of civilization.



The series is here:

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Lovely. Enjoy, and have a great Monday.

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Home!

My Nutcracker book arrived today from Blurb. I’m pretty happy with the result. Maybe my name has been flagged after so many issues and returns over the past month.

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Anyhow, it looks great.

I ordered the premium paper upgrade and its pretty nice. Best though, was that the cover wasn’t dented or dinged the spine text was aligned, the wrap was well done and the printing was acceptably good.

Overall, I’m quite happy. I’ve sold quite a few of these already, so here’s hoping the QA remains consistent.

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Also, I’m going to be traveling for the next week. I’m off to Tahoe with a couple of kids for a work off-site. Work/ski/work, you know. So I’ll be a bit more spotty on posts.

Have a great weekend.

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Lightroom Tuesday!

In the new toy department, I just purchased a couple of small slave flashes to scatter on the ground like candy when I want to.

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These little strobes (recommended by David Ziser a few weeks ago on his blog) are a nice little addition to the camera bag and should come in handy when I want to add a bit of light to some corner of my composition...

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Scatter Strobes Like Candy

After a whirlwind tour of Santa Barbara, I’m home. It was a long day, with a fair amount of that in the air or preparing to be so.

First off, the Santa Barbara airport is my new favorite. It was small, quaint and just the opposite of the industrial travel monstrosities that we’re so used to. Hooray for small airports!

We were invited to David Jay’s place overlooking the Santa Barbara coastline to talk with a bunch of passionate photographers about the state of the industry, their needs and what we at SmugMug can do for them. It was a spectacular session, and I got to meet (in person at least) several photographers who’ve I’ve followed via their blog for the past year or so (hey Jasmine - told you you’d sell out that new workshop by day’s end!)

They were an energetic, passionate and exciting group to talk to. We learned a few new things and confirmed quite a few we already know.

It was a great way to spend the day. Here are a few quick snaps from the day...

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Every hour or two, we’d take a short break and everyone would pop open their MacBooks (it was a Macbook/iPhone convention) and check email/Facebook/Twitter or their blog. The level of connection these photographers have with their clients and each other is amazing. And it works.

Thanks guys.

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It was foggy in Seattle when we landed. When I fly, I generally sit in the aisle if I can, but here is one from the window seat...

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Inspiration Monday

It’s a travel day...

I was jostled awake at 4 am and I’m on my way to catch a plane to Santa Barbara for the day. A few SmugMuggers are heading south for a to spend the day at David Jay’s place chatting up a group of photographers about the challenges of their job. I love these opportunities to sit down with working professionals to discuss their craft. Fun Fun.

The only negative is that I don’t get home until 1 am. That is one loooong day...

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Anyhow, here is a run down of the things going on in the Lightroom-O-sphere:

That’s it from the LR front.

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Also, Happy Inauguration Day to my readers in the US. And to those outside of it who’ve been “a bit put” off by the hole we’ve dug ourselves into.

Its been an ugly 8 years, and many of us are all too happy to see the current crop of criminals exit stage right. Hopefully this next bunch won’t be as bad...

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2008 Nutcracker Book Available

Today is Martin Luther King Jr. Day in the United States.

In his honor, and as part of Inspiration Monday, here is a link to a photo essay entitled “In his own words” with photographs by Flip Schulke...

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Furthermore, Chase Jarvis posted a YouTube video of the famous “I have a dream” speech today on his blog, which should be required viewing for all who love justice, freedom and equality.

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Something we still need to aspire to, I’m afraid.

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Young Dancers

I’ve just published a new book of photographs from EBT’s 2008 Nutcracker. 80 pages. 250 + photographs. Lots of happy, beautiful dancers.

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In the end, I decided to sell it thru Blurb, despite my recent setbacks with them, because they are the only ones out there to handle the printing *and* selling of a book. It wasn’t an easy choice, but since I tend to sell quite a few of these books, having to fulfill orders myself just wasn’t feasible.

Furthermore, I have to admit that Blurb has been pretty good lately with addressing my concerns. The last batch of books were not good, but since I know people inside the company, I was able to get a refund and a promise to take this to the top.

Hopefully we’re just seeing some growing pains from Blurb and they’ll clean up the spotty quality I’ve seen lately. I sure hope so, as this print on demand stuff is very cool and Blurb really offers a great front end for selling books without the hassle.

That said, I’ll still be using books from MyCanvas.com for my portrait clients. Their quality has been outstanding, their templates are awesome, and their customer service has been likewise.

Please consider purchasing this Nutcracker book as a way to support such a wonderful dance studio.

Hundreds of happy dancers will thank you tenfold!

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Shooting Backstage

Yesterday I spent a few minutes photographing the Pre-Ballet II class (5-7 yr olds) at Emerald Ballet Theatre. I don’t often make it down for these classes as they’re early in the day and I’m often busy elsewhere, but I was on an errand close by and dropped in.

I was glad I did.

Two images really stood out for me, mostly because they capture the “dance” experience for a new student. The world is big, they are small, and it is these new things that often make them a bit more reserved than they may be elsewhere.

And sometimes the camera catches them in this uneasy state...

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Of course, they grow out of it. Or at least most do. And a few truly learn to dominate the stage with their smile, their movement and their personality.

But for these young dancers, this transformation is still to come.

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Would You Like a Nose With That?

I do a fair amount of work for a local ballet studio (Emerald Ballet Theatre) in Bellevue, Washington. This puts me in some really crappy lighting situations- either in a dim, florescent-lit studio or backstage in the semi-darkness. Over the years, I’ve learned to dodge dancers, props, curtains and stage-managers in my quest to get “the shot”. Or two. Or three. And of course, bringing my own light isn’t usually possible...

Anyhow, I’m quite adept at it, and its always exciting to be back amongst the performers and the accoutrement of the stage. Here is a photo I ran across today that kinda sums up the experience for me.

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Motion, light, darkness, hustle, busy, hectic, grace and beauty. That about sums it up.

Besides the stage work, I love shooting pictures of the dancers in the wings. Her are a few portraits in this no-light nightmare over the course of a few day’s this past Nutcracker...

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This is the land of f 1.2 and sometimes a bit of softness because I’m shooting at 1/15 or worse. Which sometimes is not a problem when the image is spectacular.

More of EBT’s 2008 Nutcracker images here...

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Lightroom Tuesday

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Inspiration Monday

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Welcome to Lightroom Tuesday! Things continue apace in the Lightroom World, and here are the major happenings that might interest you.

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Funny!

A new tradition is born here at heninger fotographik.

On a whim, each Monday I’ve decided to present something interesting. Inspiring. Lovely. Fun. Beautiful. It will probably focus mainly on photography, but I reserve the right (ahem, I am the boss here) to broaden the scope on occasion.

Today we have the work of a young Portuguese photographer Maria J Miranda (Tudo legal, Maria?) I ran into her work while browsing today (I visit a lot of design blogs) and enjoyed some of her self-portrait work. I’ve done several selfies lately, so this was a nice foray into said genre.

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Photo copyright Maria J. Miranda

If you’ve got something in your craw that inspired you, shoot me a link via email or comment below.

Cheers!

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Lets Talk About Vendor Fail

Today’s advertising imagery is chock full of all-to-perfect skin and flawless lines.

Photoshopping has become a verb that refers to the process of making something look better than it was in reality. I’m not talking about making sure the exposure was right. Or that the shadow areas were brought out a bit. I’m talking about nip and tuck style hacking and slashing that dominates our visual world. No place is this more obvious than the celebrity-studded pages of today’s glossy magazines and billboards. A flawless Jennifer Anniston was on the cover of GQ this month and when asked about it, she replied to the interviewer that what they saw wasn’t her - it was photoshopped. The interviewer actually seemed surprised at the admission.

Every photographer has to make this decision, and I’m not against removing obvious things like pimples and food (yes, I have to remove food from kids faces all the time), but when it involves some pretty nasty surgery, I think you’ve gone to far.

So today, while browsing my RSS feeds, I came across this great piece of street art on Wooster Collective...

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Now that is funny. You gots your -40 Fat Layer. Your nose -20% layer. Very clever.

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As an aside, oftentimes these efforts go awry. With hilarious results. Check out photoshopdisasters for a daily look at such FAIL.

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Beauty Dish

So in the past month, I’ve had so many vendors fail it isn’t even funny.

The great thing about being a photographer today is that the market is awash in great products to expand one’s photographic offerings. A few decades back, printing a low-run book, calendar or such was impossible without very deep pockets. Nowadays there are hundreds of affordable products for the discerning photographer.

Most of them just don’t interest me as a serious working professional photographer. I seriously have to have a show at ICP before I make a shirt, if you get my drift.

But my customers are pretty excited by a few of these new offerings, including books and calendars. An me? I like that I can get someone to matte, frame and delivery a print for me. I’ll be honest, I hate framing prints - I live in a 100 year old house and it takes a lot of tries to get a clean print insertion. Yuk.

But the joys of outsourcing are not without their problems as I’ve discovered in the past few weeks.

  1. Books - I’ve already detailed my book fiascos previously on this blog. I’ve had 4 separate orders go bad, and from multiple vendors. I’ve had bar code stickers that won’t come off. I’ve had dented covers. I’ve had poor edges finishing. I’ve had poor printing. The latest from Blurb was literally the last straw. Spine text placement fail - just embarrassingly bad. They must have NO QA there anymore. I would expect that Blurb is in trouble financially with this amount of fail.
  2. Calendars - I’ve used a prepress vendor for the past few years to make inexpensive calendars. Apple and other vendors make really nice calendars, but at $20 a pop plus shipping you can’t sell those and make any money. So I found a prepress vendor that would do exactly what I want. Last year’s calendars were acceptable (remember we’re talking prepress here), but this years came with the contrast so jacked I had to throw them out. The reprints came this week and they mucked up on the paper choices, had font failures (in a PDF too?) and even had blood on several of them? WTH? The vendor is being super supportive, but is still a pain in the rear and I didn’t get to sell the calendars at the Nutcracker like I did last year - leaving fundraising $$ on the table.
  3. Framed Prints - This was my first job using a third party frame outfit. The first one arrived but the print was bent while inserting it. The second was bent as well. The third one arrived yesterday and it has a bunch of fuzz inside between the matte and the glass. Its all sealed up nice with paper, so I’m going to have to open it and remove it myself.

Argh. Very frustrating. I really *want* to offer these products. And yes, there are more expensive options out there, but some of my clients just can’t afford a $1000 leather bound album from the big fellas. I’m afraid to say that these products might not be ready for prime time.

You can bet that we’re talking closely with several of these vendors because some of them are partners with us at SmugMug. I won’t allow anyone to present less than their best foot forward to our shared customers. At least I get to chew on a CEO’s ear because of this. Hopefully they’ll get the message.

But what a pain in the arse...



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Speedlight Grid

So I took the DIY Speedlight Beauty Dish for a spin today. My daughter was playing the piano and my son doing his homework. And apparently doing some impromptu modeling as well...

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Here are a few pictures of the light itself. Its mounted on my Canon 580 EX II speedlight on a lightstand with an AB Cybersync wireless trigger. Simple to setup, nice light and cost me about $15 bucks. Love that.

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Busy day. Gotta run.

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Lightroom Tuesday!

Last night I set about to make a few light modifiers for my Canon 580 EX II speedlight. These included a Grid, a Snoot and a Beauty Dish. The first and second are done, the third is still stinking up the pantry with its spray paint odors.

Tutorials here:


The Grid sat to dry over night (glued things together) so I just gave it a whirl when my son walked in from school.

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This is almost 100% from camera (5d, 24-105 L, 580 EX II, Cybersyncs). Just a touch to the brightness and saturation in LR and that was it. Pretty cool.

Update: One more...

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The snoot was easiest to make, but I like the look of the grid much more.

The beauty dish looks really cool, so once I get it dry, I’ll put it thru its paces.

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A Few Pictures

Greetings all. Welcome to Lightroom Tuesday.

I had a great week and luckily spent a fair amount of it in Lightroom working on a variety of projects and after some debate, I’ve decided to start splitting up my Lightroom Catalogs.

Previously, I was using a catalog per year, but about November my 2008 catalog became a bit unwieldy - slowing down and giving me the beach ball o’ hell.

It was at about 60,000 Raw images at that time. So I decided to start doing quarterly catalogs. This has good and bad sides. Its good because Lightroom runs a bit more snappy on a smaller catalog. But its bad because one has to remember where things are to get at them. What was once a year-based organizational structure became a quarterly one - now I have to remember where things are and switch back and forth a bit.

Unlike event photographers who spend a bunch of hours on a job and walk away, I tend to go back months at a time for images. Stock, fine art, family, past jobs all come up and so going with a quarterly catalog I end up with stuff split up. This mostly affects collections.

If I were still working on Lightroom, I’d start seriously considering how to solve this problem for the user. Be it a stand alone catalog server, a search tool that knew how to look across catalogs or even something new, it has to be done. As people mature with these catalog-based tools, they’ll need support in tasks that span weeks, months, quarters, years.

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That said, onto the Lightroom happenings for the past week:


That is it. Have a great day!
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Two final EBT Nutcracker Galleries

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Welcome 2009!

I’ve posted two final galleries from the EBT Nutcracker. These two galleries contain images taken backstage and a few extras that didn’t make the first cut. About 120 images in total.

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Have a great New Years Day!

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